This three-part exhibition provides background, context, and visibility to Mies van der Rohe’s McCormick House on the occasion of restorations to its original façade, showing the building’s full exterior for the first time in nearly 25 years.
The McCormick House (1952) is one of only three single-family homes built by Mies, one of the greatest architects of the 20th Century. The home is a rare and important example of his mature style, incorporating elements of his celebrated designs for ... view more »
This three-part exhibition provides background, context, and visibility to Mies van der Rohe’s McCormick House on the occasion of restorations to its original façade, showing the building’s full exterior for the first time in nearly 25 years.
The McCormick House (1952) is one of only three single-family homes built by Mies, one of the greatest architects of the 20th Century. The home is a rare and important example of his mature style, incorporating elements of his celebrated designs for the Farnsworth House and 860-880 Lake Shore Drive. The first gallery contains historical drawings, photographs, and models of the prefab prototype built in Elmhurst. Mies’s ‘dream home of tomorrow’ is showcased along with proposals for larger prefab developments in the western Chicagoland suburbs.
The second gallery of New Views is the only U.S. venue for the exhibition Glass Houses, which has traveled from São Paulo, Brazil. The international show contextualizes the McCormick House with iconic Mid-century homes from across North and South America: the Eames House (Case Study House #8), Philip Johnson’s Glass House, Farnsworth House by Mies van der Rohe, and Lina Bo Bardi’s Glass House—the original site of the exhibition.
The third and final gallery of New Views contains photographs by contemporary artists responding to reflections and transparency on the iconic glass walls designed by Mies, including works by Scott Fortino, Veronika Kellndorfer, Luisa Lambri, and Iñigo Manglano-Ovalle. Described by a prefab advertisement used by Robert Hall McCormick III, “The glass wall doesn’t merely disclose a section of the outdoors but reveals to the expansive eye and spirit a constant weather-changing spectacle from the earth up, of plant and creature.”
New Views is curated by Barry Bergdoll, Meyer Schapiro Professor of Art History, Columbia University, with curatorial advisors Renato Anelli, Professor at the Institute of Architecture and Urban Planning – University of São Paulo; Sol Camacho, Cultural Director of Instituto Bardi/Casa de Vidro; and Ana Lúcia Ceravolo, Post-PhD researcher on Architectural Heritage at IAU USP.
The exhibition is supported in part by awards from the National Endowment for the Arts and the Explore Elmhurst Grant Program. Research support was provided by the Institute of Museum and Library Services.
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